What's Not Included
Wednesday, December 5, 2012
Tuesday, November 20, 2012
Käthe Kollwitz


The work of Käthe Kollwitz, a German artist during the world wars who documented the exploitation of workers and the horrors of war through artwork.
Wednesday, November 14, 2012
For Cyndee
This made me think of you when I saw it this morning!
http://www.free2work.org/trends/apparel/
http://www.free2work.org/trends/apparel/
Monday, November 5, 2012
Progress
Expressive Arts collection in tribute to survivors of sexual exploitation.
Survivor image.. seedling grappling a monster (the latter yet to be visualized, and thus is not yet on the canvas) but in spite of the struggle new life is emerging into daylight. (Seedling colors will be more vivid).
Escape image
Concept of the kids pictured having crawled through the window, which will contain imagery giving a frame of reference to what they escaped. A third figure will have his head in his hands, the girl on the left has hands over her mouth (drawn in pencil currently) and the girl on the right will be brought to the foreground. From E's story.
Image yet to make this page...
Rekindling hope: shadowy figures with an unlit lamp inside each of their chests. A hand coming from off canvas, striking a match.
Still Yet Unresolved
Traveling light it seemed to be so simple
til the complications caught up,
as they tend to do.
She put up a fight, flung her fists in a fury
whirled around to find the door
hand on handle but not so sure.
She studied the fixture for a minute moment
its frame seemed solid oaken wood,
yet at a touch it crumbled, sapped of reason
dry of rhyme, she slipped in between time.
Wilderness comprised of concrete and telephone wires
where signals cross and static reigns.
Would you be surprised immersed in raw reality
how blatant lies so swiftly fuse with all she classifies as
true.
Relentless currents pull her further, deeper still
subtle to seem as evoking her own choice.
Incongruous logic and sentiment with a tinge
of rebellious ways, fingerprints proving
her self-perceived blame.
Wilderness comprised of concrete and telephone wires
where signals cross and static reigns.
Would you be surprised immersed in raw reality
how blatant lies so swiftly fuse with all she classifies as
true.
Found object sculpture: I have quite a selection of metal scraps and objects to connect to allude to the idea that beauty can prevail even in what others have thrown away. I've been brainstorming how to structure this piece, but don't fully know yet.
Poetry: I've started three ideas of poems, but the drafts are still too unsatisfactory to my own inner critic to share with you quite yet, my dear class. Jay Wentworth has offered to help me edit the poems as I work with them.
What I'm struggling with is how to tie everything together succinctly. I have a few ideas, but I'm getting stuck in my head, so they aren't transferring into actuality well.
Wednesday, September 19, 2012
Working bibliography
Campagna,
D. S. & Poffenberger, D. L. (1988). The sexual trafficking in children: An
investigation of the child sex trade. Dover, Mass.: Auburn House Pub. Co.
Finkelhor, D. & Stransky, M. (2008). Fact sheet. Crimes against Children Research Center. University of New Hampshire.
Finkelhor, D. & Stransky, M. (2008). Fact sheet. Crimes against Children Research Center. University of New Hampshire.
Estes,
R. & Weiner, N. (2002). The commercial sexual exploitation of children in
the united states. Retrieved from
the GEMS Training Resources.
Ferguson, K. M., Soydan, H., Sei-Young, L., Yamanaka, A., Freer, A. S., & Bin, X. (2009). Evaluation of the CSEC Community Intervention Project (CCIP) in Five U.S. Cities.Evaluation Review, 33(6), 568-597. doi:10.1177/0193841X09346132
Howe, F. (1993). No more masks!: An anthology of twentieth-century American women poets. New York: HarperPerennial.
Murdock, M. (1990). The Heroine's Journey. Boston, Massachusetts: Random House Inc.
Kollwitz, K. (1867-1945). German artist and activist.
Knill, P. J., Levine, E. G., & Levine, S. K. (2005). Principles and practice of expressive arts therapy: Toward a therapeutic aesthetics. London: Jessica Kingsley Publishers.
Kotrla, K. (2010). Domestic minor sex trafficking in the United States. Social Work, 55(2), 181-187. doi:10.1093/sw/55.2.181
Poetry and Art by Survivors. http://www.girlforsale.org/words/poetry/survivors/
U.S.
Dept. of State. (2008). Trafficking in persons report. Retrieved from http://www.state.gov/documents/organization/105655.pdf
U.S. Dept. of State. (2012). Trafficking in persons report.
http://www.state.gov/documents/organization/192598.pdf
Weisberg, D. K. (1985). Children of the night: A study of adolescent prostitution. Lexington, Mass: Lexington Books.
U.S. Dept. of State. (2012). Trafficking in persons report.
http://www.state.gov/documents/organization/192598.pdf
Weisberg, D. K. (1985). Children of the night: A study of adolescent prostitution. Lexington, Mass: Lexington Books.
Tuesday, September 18, 2012
Canvases, before.
Two multimedia recycled collaged canvases that will be the base of two original paintings.
Annnnd the following are examples of a few recently finished original works. I foresee the paintings of this project to have some similar technical elements reminiscent of impressionism, but embody a different style.
Abstract, finally finding its way to this page..
Conveying
the tale of sex trafficking, one of today’s particularly grim forms of
injustice, falls mainly to dry reports of statistics or overly sensationalized
media broadcasts. The former form leeches
the human quality from the stories and reduces the full picture to
numbers. On the other extreme, the
newscasters portray the stories with such heightened emotional language that
skews facts and focuses on the victimization of humans who are in actuality survivors. Neither method of communication offers
healing to the public or the individuals who have endured exploitation.
One
major goal of expressive arts therapy is “not to eliminate suffering but to
give a voice to it, to find a form in which it can be expressed” (Levine,
p15). Art has such power to transform. Many of those who survived the holocaust and the generations who followed relied upon the arts to bring healing both personally and globally. Rather than construct a
research paper, I am interested in following a similar idea and creating a multimedia project centered on a collective of stories about trafficking collected from people I have the honor of knowing. The project will include 2 paintings, a collection of poems
and songs, a found object three dimensional art piece, and a well crafted creative
nonfiction piece that ties together the other elements.
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